The series investigates surface, pattern, and identity through computational image-making.

Working entirely with generative systems, textiles, fauna, and ornament are recomposed into a high-fashion editorial. The images move between the artificial and the organic, folding animal presence into couture forms and treating fabric as living surface. A lens into how algorithmic processes can construct beauty, excess, and style. In this space, editorial fashion becomes less about reference and more about invention, pointing to new directions for visual culture in an algorithmic age.